Fresh Fork

  A LL WE IMAGINE AS LIGHT An extremely sensitive look at the lives of two different women living in Mumbai in a changing society: the daring spirit of Anu faces the challenges of a world made of rules that supress women, while Prabha tries to free herself from the social chains she grew up with. It's beautiful and Payal Kapadia makes exquisite visual choices that somehow remind me what I felt when I first watched  The Virgin Suicides . It's a tale of womanhood carried by Kani Kusruti and Divya Prabha's powerful internal performances and it's also a tremendous directing debut! Movies like this one are very rare and I had the sense I saw something truly special. A contemplative cinematic beauty and a look at a changing world. Nothing much to add: subtle, sensitive and visually beautiful.  RATING: 9,5/10 NOSFERATU A riveting gothic tale of obsession and greed, Eggers delivers another cinematic epic film! Anchored by a magnetic (and raw) performance from Lily-Rose Depp ...

  Let's start... 1 - Ryan Gosling He may not have a huge list of movies in his body of work, but the few times he makes something, all the time he almost carries the movie. In fact, Gosling is a proof that talent does exist and that you don't need excentrical characters to receive raves. He rose to fame after the big screen adaptation of  The Notebook  (2004) and then received lots of critical praise for his performances in movies like  Half Nelson  (that gave him an Oscar, a SAG Award and other major awards nominations),  Lars and the Real Girl  (that gave him a Golden Globe, a SAG Award and other major awards nominations) and  Fracture  (in which he shres the screen with Anthony Hopkins). This year he starred Blue Valentine alongside Michelle Williams, a very well-received indie movie that got raves in both Sundance Film Festival and Cannes Film Festival, specially the two lead's performances, starting a early Oscar buzz for Ryan Gosling an...

  enre:  Horror/Mystery Director:  Oz Perkins Writer:  Oz Perkins Starring:  Maika Monroe, Blair Underwood, Alicia Witt  and  Nicolas Cage Longlegs  was a pleasant time at the movies. A solid crime-investigation film that surprises with a somewhat sloppy supernatural element that goes full force during the 3rd act, it might be defined as some kind of  Silence of the Lambs  meets  Hereditary , but  Longlegs  distinguishes itself thanks to Oz Perkins' direction: always tense, with a dark atmosphere of constant danger, even if the writing can't quite match the boldness of the execution. It's a very good cinematic ride, but it disappoints in its conclusion when its orchestration promised a grand finale. The movie's first scene is a great one, maybe one of the most creepy first scenes in recent years, and what unfolds after that makes you wonder about its connection with the narrative. The first act is brilliantly written, with...